A performance prop in the theater troupe. The towering hat and the intricate patterns are much better suited to the stage and shows, rather than to daily life. The hat itself has a plain design and does not have much value, but the feather at the brim is rather expensive.

This feather comes from a Boobrie, a rare arcane creature with a ferocious nature. This waterbird can mimic not only the voices of other animals but also their appearances through shapeshifting. It is born an actor, so to speak.
But the interviewee knows nothing about its value. "It's just a dyed pheasant feather, isn't it?" she asked wonderingly.

A small notebook that Charlie carries around. The contents include not only the troupe's schedule, daily expenses, records of issues in rehearsals and her reflections, but also highly offensive text written by her in specific situations.

A new costume handmade by the interviewee for her part in King Lear. It used to be a military dress before it was modified to fit the interviewee. Its design style is a good example of the trend where people perform Shakespeare plays in costumes of their times, as well as a proof of the troupe's efforts in adapting to the changing environment.

A crystal ball with snowflakes drifting inside. It was made by the interviewee after she watched the modern video art. Its symbolic significance should make it more valuable to some extent.

A prop used by the troupe, modified from a worn top hat. The maker collected the fluffy feathers during a trip to the country, which is quite a resourceful act given the budget of the troupe.
"They ... They are a generous gift from Mr. Pheasant!"